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敦煌莫高窟112、159、156、98等窟的壁画中,均绘有舞伎将琵琶置于肩上反弹的形象。弹者以左腿作为重心支撑全身,右腿提起呈“金鸡独立”式,小腿与脚腕微向里弯曲,五趾有力地张开;左手持琵琶于脑后,右手拨弹。整个造型阿娜妩媚,新颖别致,观者无不拍手叫绝。然而琵琶究竟能否置于肩上反弹?却是一些中外游客迷惑不解的问题。大凡琵琶演奏者皆能明喻,当手指处于紧张状态时,指关节自由度降低。由于左、右手都有持琴的负担,所以,导致控制手指的信息
Murals in Dunhuang Mogao Cave 112,159,156,98 cave murals, are painted Majestic pipa placed on the shoulders rebound image. The left leg as the center of gravity to support the body, the right leg lift was “chicken independent” type, calf and ankle micro-curved, open toe forcefully; left hand holding the pipa in the back, the right hand bomb. An Na charming the entire shape, novel and unique, the viewer clapped. However, whether the pipa can be put on the shoulder bounce? It is puzzled by some Chinese and foreign tourists. Generic pipa players are able to simulate that when the fingers are in a state of tension, the degree of freedom of the knuckles is reduced. Because the left and right hands have the burden of playing the piano, so that the control of finger information