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前言林培源的新作《以父之名》与上一部小说集《钻石与灰烬》一样,都瞄准了社会转型时期的乡土社会。在他的小说中,乡土并不是某种慰劳回忆的道德乌托邦,而是现代性介入乡土社会后所呈现的断层土壤。《以父之名》讲述了一个关于故乡、关于父辈、关于逃离的故事。信德年少时失去了父亲,并且无论从外貌、性格还是家庭背景上,他都不为乡亲们所喜欢。父爱和尊
Preface Lin Peiyuan’s new work, “The Name of the Father,” is similar to the previous collection “Diamonds and Embers,” both aimed at the native society in the period of social transformation. In his novels, the native land is not a kind of moral utopia for memory and memory, but the faulty soil presented by the modernity when it intervenes in the local society. “In the name of the Father” tells a story about hometown, about fathers, about escaping. Sindh lost his father when he was young, and he was not liked by folks in terms of appearance, personality or family background. Father love and respect