19世纪和 2 0世纪之间 ,中国“落后”于西方所造成的巨大焦虑使人们的思想被一种“从文化上根本感觉不足”的冲动所支配 ,对一切破坏古老秩序的行为趋之若鹜 ,滋生和推广了 2 0世纪文学中的暴力倾向。中国文坛充斥着毁典的冲动 ,直至“文革”那样的“毁典运动” ,其余风今日尚存。这个由历史遗留下来的问题直接造成了文化与文学的粗鄙化。必须改变文坛对美的嫌憎和对丑的偏爱 ,否则 ,中国文学在文学意义上的真正复兴便无从谈起 Between the 19th century and the 20th century, the tremendous anxiety caused by China’s “backwardness” in the West has made people’s minds governed by an impulse that is “not sufficiently culturally perceived” and breeds all acts of undermining the ancient order And promoted the tendency of violence in 20th century literature. The Chinese literary world is full of the impulse to destroy the Crusades, until the “Cultural Movement” that “destruction movement”, the rest of the wind survived today. This problem left over from history has directly caused the vulgarization of culture and literature. We must change the allegiance to the United States and the ugly preference for the Chinese literature in the literary world. Otherwise, the true rejuvenation of Chinese literature in the literary sense will be impossible