在近些年来诸多大型美术展览中.总是让人有琳琅满目之感.这些作品不乏题材上的丰富,不乏风格和样式的多样.不乏语言上的夸张,不乏深入细微的写实功夫.更不乏制作上的完整,却不让人感动.为什么呢?我们生活在图像时代中.借用图像成为今日许多画家常用的手段,这本无可厚非,但当它成为画家的创作依据和终极追求时.我们绘画就成了复制图像的工具.绘画的表现就会沦为制作的过程,其结果便丧失了画家以身感受世界的基本能力。一万多年以前,当西班牙的洞穴人在阿尔塔米拉岩壁上涂抹时.心中充满着某种敬畏甚至恐惧. In many large-scale art exhibitions in recent years, there is always an array of people’s feelings .There are no shortage of subjects on these works, there are many styles and styles, there are many language exaggerations, there are many in-depth subtle realism. We are living in the age of images and borrowing images has become a common method used by many artists today, which is understandable, but when it becomes the basis for the artist’s creation and ultimate pursuit, we draw Became a tool for copying images, the performance of painting would be reduced to the process of making, and as a result, the artist’s basic ability to feel the world with his own body would be lost. More than 10,000 years ago, Spain’s caves filled with reverence and fear when they painted on the rock walls of Altamira.