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一方面,我将综合并评价现有的研究模式,不仅是银幕改编还包括类似电影《一剪梅》那样的跨文化改编,并且尝试用新的语汇阐释这类跨地域的文化实践。另一方面,跨文化改编的问题常常牵涉到其他相关议题,比如翻译行为、准确度以及知识与欲望生产和消费过程中的权力机制。因此根据《一剪梅》或其他电影的改编者们的方法,可以为国产电影(或彼时的翻译电影)构建一种更加实用的解读模式。这种解读属于我所讨论的“世界性的投映”(cosmopolitan projections)范畴之列。
On the one hand, I will synthesize and evaluate the existing research paradigm. Not only is the screen adaptation but also cross-cultural adaptation like the movie “One Cut One”, and I try to explain this kind of trans-regional cultural practice in a new vocabulary. On the other hand, the issue of cross-cultural adaptation often involves other related issues such as translation behavior, accuracy and power mechanisms in the production and consumption of knowledge and desire. Therefore, according to the methods of Adapters of One Cut or other films, a more practical mode of interpretation can be constructed for domestic movies (or the translated films of the time). This interpretation belongs to the category of “cosmopolitan projections” that I am discussing.