贾平凹是今世文坛中“乡土中国”书写的代表性作家,深情地写出了乡土的秀丽,也写出了乡土的哀愁;一方面承继了传统的民俗文化,一方面又突出了时代的印记。上个世纪发展以来,尤其是我国始终处于商品经济的大力冲击之下,我国关于文学言语的一些认同理念逐步的匮乏,反而在民俗文化这块丰厚的土地上面缺失了自己,今世文坛的小说创造随之显示出一类浓烈的民间情怀,有相当一部分的作家将专心的视界投入到对一般群众的民间日子的描摹、表现他们的生计窘境以及对美好日子的向往上。扎根于宽广的农村地域进行创造的小说,使得作家与民俗文化这两者之间有了很好的互动。本文试图通过把握贾平凹的一些作品,以其民俗文化作为研究切入视点,联系其本身的一些阅历和探究,对其作品表现出的民俗文化进行浅析。 Jia Pingwa is a representative writer of “Native China ” written in the modern literary world. She wrote affectionately for the native beauty and saddened her native land. On the one hand, she inherited the traditional folk culture while on the other hand, Imprint. Since the development of the last century, especially our country has always been under the strong impact of the commodity economy, some concepts of identity about literary language in our country are gradually lacking. On the contrary, there is a lack of self in the rich land of folk culture. A strong class of folk feelings ensued. A considerable number of writers devoted their attention to portraying the days of the general public in private life, showing their predicament in their livelihood and longing for a better life. Rooted in the vast rural areas to create novel, making the writer and folk culture have a good interaction between the two. This paper attempts to grasp some of Jia Pingwa’s works, with his folk culture as a research point of view, contact with some of their own experiences and inquiries, the folk culture shown in his works.