没有鬼,故事还要够惊悚,场景也要够精致——这样的故事并不好找。上世纪九十年代初文隽来北京的时候,连三环路边都还是光秃秃的。他是最早来内地拍片的香港电影人,姜文的导演处女作《阳光灿烂的日子》以及俞钟导演的《我的兄弟姐妹》,他都担任监制,为影片从策划到发行立下汗马功劳。进入二十一世纪后,当大批香港导演纷纷北 There is no ghost, the story is horrifying, the scene is delicate enough - the story is not easy to find. In the early nineties of last century, when Wen Jun came to Beijing, even the third ring road was still bare. He was the first Hong Kong filmmaker to make film in the Mainland, Jiang Wen’s debut solo debut “Sunny Day” and Yu Chung’s “My Brother and Sister”, both of whom served as producer for the film from planning to distribution. Into the 21st century, when a large number of Hong Kong directors have North