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20世纪西方学术语境中现象学、阐释学和接受美学的发展一脉相承,三大理论流派均注重主体与世界的交互关系和意向性关联,将文学接受纳入文学批评视野,成为研究文学本体形态和文学接受模式的主要理论来源。自20世纪20年代起,现象学、阐释学和接受美学先后被引进中国,经历了从翻译介绍到应用和拓展的过程,逐渐得到广泛的重视,并激发出对之持续的研究热情。由于这些理论渗透于中国的研究实践,更与中国文化传统互释互证,因而既推动了中国文学理论研究的现代化进程,又助力于发掘我国古代文化思想遗产,经历了逐步实现这种理论模式的“中国本土化”过程。
In the 20th century, the phenomenology, hermeneutics and acceptance aesthetics in the western academic context have the same strain. The three major theoretical genres pay attention to the interrelationship and intentional association between the subject and the world, incorporate literature acceptance into the field of literary criticism, The main theoretical source of literature acceptance mode. Since the 1920s, phenomenology, hermeneutics and receptive aesthetics have been introduced into China one after another, and have undergone extensive attention from translation introduction to application and expansion, and have aroused enthusiasm for their continuous research. As these theories permeate the research practice in China and interact more closely with the Chinese cultural tradition, they not only promote the modernization of the study of Chinese literary theory but also help to discover the heritage of ancient Chinese cultural ideology and experience the gradual realization of this theoretical model “Chinese localization ” process.