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近年来,在各种大型的中国画展览中,工笔画的比重越来越大,这引起了许多专家的不满,提出了强烈的批评。对工笔画,我当然也有看法。它原先是作为一种绘画性绘画,强调服务社会大于自我表现,共性的实的规定法则大于个性的虚的无法而法、我用我法,也即侧重于画之本法的技术性大于侧重于画外功夫的观念性,形象内容大于笔墨形式,形神兼备、物我交融的再现客观大于不求形似、写心不写物的表现主观,以美为最高法律的和谐稳定大于以丑为主要准则的冲突变异,适合于一部分必须经过专业训练的人大于适合于不需经
In recent years, various types of large-scale Chinese painting exhibitions have drawn increasing proportions of paintings, which has aroused the dissatisfaction of many experts and raises strong criticisms. Of course, I also have a view on mechanics. Originally, as a kind of pictorial painting, it emphasizes serving the society more than self-expression, and the general rules of law are more than the lawlessness of individuality. I use my method, that is, The concept of kung fu painting, the image content is greater than the pen and ink forms, both shape and spirit, I blend the objective of the reproduction of more than not seeking the same shape, the performance of writing is not subjective, the United States as the supreme law of harmony and stability is greater than the ugly as the main Violation of the guidelines, suitable for part of the people who must be professionally trained more than suitable for not required