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具象绘画作品中的视觉符号像语言符号一样包含了能指、所指、意指过程等一整套系统。当艺术家将其内心精神世界的创作指涉外化为画面时,画面的视觉符号也就产生了。在具象绘画中视觉符号的运用和研究呈现多元化和个性化特征的今天,对画面中视觉符号的能指与所指关系及视觉符号对主体精神外化呈现特点的研究是必要的。本文以索绪尔对符号的定义逻辑出发,透过符号学美学,探讨视觉符号在具象绘画作品中的精神。
The visual symbols in figurative paintings contain the same set of systems as the linguistic symbols, such as the signifier, the signified, and the process. When artists translate the creation of their spiritual world into pictures, the visual symbols of the pictures are produced. Nowadays, visual symbols in concrete paintings have diversified and individualized features, and the research on the signifier and relationship of visual symbols in visual images and the visual appearance of visual symbols on the main spirit are necessary. In this paper, Saussure begins with the definition logic of symbols and explores the spirit of visual symbols in figurative painting through semiotic aesthetics.