吴冠中的作品《彩面朝天》中大量的应用表现技法,其中的形式美感的表现,使画面很有韵味,吴冠中从法国吸收的西方的油画技法去表现国画中的意境。绘画中的形式感越来越重要,甚至有时超越了所要表现的内容,我从吴冠中作品中去感受其韵律,节奏感,去运用到我的创作之中。是作品达到我理想中的艺术效果,最终形成自己的艺术品位。西方的油画作品也有它的形式感,但是由于民族性,它与东方的形式感不同,在研究西方表现方法时,要考虑它的民族性。 Wu Guanzhong’s work “Choi Wan Chaotian” in a large number of performance techniques, including the performance of the form of aesthetics, the picture is very interesting, Wu Guanzhong from France to absorb Western painting techniques to express the artistic conception of Chinese painting. The sense of formality in the painting is more and more important, and sometimes it even surpasses the content to be expressed. I feel its rhythm and rhythm from the works of Wu Guanzhong and apply it to my creation. Is the work to achieve my ideal artistic effect, and ultimately form their own artistic taste. Western oil painting also has its sense of formality, but because of its nationality, it has a different formal sense from that of the East. When studying Western methods of expression, it must consider its nationality.