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导言胡一川(1910～2000),是中国革命美术史上重要的木刻版画家、油画家、美术教育家、革命美术活动家。抗战爆发后,胡一川奔内延安。从胡一川到达延安的1937年9月16日到胡一川离开延安的1945年8月24日,是胡一川从事革命美术活动的重要时期,也是胡一川从一个革命艺术青年成长为革命美术家的重要时期,本文把这个时期称作延安时期。本文在广州美术学院胡一川研究室研究的基础上,以胡一川本人的日记(以下统称为《日记》)为核心材料,旁及其他史料,从历史人物研究的角度再现了延安时期胡一川的革命、艺术历程。
Introduction Hu Yi-chuan (1910 ~ 2000) is an important woodcut artist, oil painter, art educator and revolutionary art activist in the history of Chinese revolutionary art. After the outbreak of the war, Hu Yi-chuan ran within Yan’an. Hu Yaochuan arrived in Yan’an on September 16, 1937, and Hu Yichuan left Yenan on August 24, 1945. This is an important time for Hu Yi-chuan to engage in revolutionary art activities and an important period for Hu Yi-chuan to grow from a revolutionary art youth to a revolutionary artist. Call this period the Yan’an period. Based on the research of Hu Yi-chuan’s research institute of Guangzhou Academy of Fine Arts, taking Hu Yi-chuan’s diary (hereinafter referred to as “diary” as its core material) and other historical materials as references, from the perspective of historical figures, this paper reproduces Hu Yi’s revolution and art history .