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我打小就喜欢看承恩先生的《西游记》,或许是童心对世界充满着无限的憧憬与梦幻,或许人性中本身就期许有神话般故事或幻象奇迹的出现,每每读此书,都有百看不厌之感。《西游记》与其他几部名著在风格、形态、内容上完全不同,是一部极其浪漫的长篇神话,但凡看过的人,我以为大都不会认为作者的想象是毫无根据的,恰恰相反,吴承恩先生塑造的形象,在描写人物所处的环境、人物之间的矛盾时,往往具有人类本身的属性,即人性化了,比如孙猴子其实是一个造反派头头。即使是他所设想的事物,也总是根据人类或动物的本性特征所设计的,妖怪一样好吃好喝好色,与人相比一样不落,所以具有很强的亲和力和认同性。
I play a small favorite like Mr. Cheng En’s Journey to the West, perhaps the innocence of the world is full of infinite vision and fantasy, maybe in human nature itself there may be a fabulous story or miraculous miracles, often reading this book, Have a hundred never tired of feeling. Journey to the West is quite different from other famous works in terms of style, form and content. It is an extremely romantic myth, but I do not think anyone who has ever seen it thinks that the author’s imagination is totally unfounded. On the contrary, the images shaped by Mr. Wu Cheng-en often describe the contradictions between the characters and the environment in which the characters live. They often have human nature, that is, humanity. For example, the Monkey is actually a rebel leader. Even the things he conceives are always designed according to the nature of human beings or animals. The monsters are delicious, tasty, euphoric, and human-like, so they have strong affinity and identity.