景物描写,大体上有两种情况,一种由作者或叙述者直接描写景物,另一种是从作品里的某个人物的观察中写出景物。前一种情况,由于作者(或叙述者)是全知的,不受时间和空间限制,他的观察点比较灵活,既可以从俯视角度,鸟瞰全景;也可以平视、仰视,从不同角度写出景物的各个细部。后一种情况,由于观察者是作品里的一个人物,他们的视角和视界(目力 Scene descriptions generally have two situations. One is the direct depiction of scenery by the author or the narrator, and the other is the writing of scenery from the observation of a character in the work. In the former case, since the author (or narrator) is omniscient and is not limited by time and space, his observation point is more flexible. He can look at the panorama from a bird’s-eye view; he can also look flat and look up at different angles. The details of the scene. In the latter case, because the observer is a character in the work, their perspective and horizon (visual power)