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在中国传统美学观中,认为美即生命,生命即含“道”之物,其特征就是生动。艺术中一切表现的形式和描绘的形象都来源于生活,当然美也是。起初,美术是起源于客观对象的模仿。然而,除了描写的像与不像的问题之外,更重要的还是美与不美的问题。作为一名从艺之人,应该做的是在客观物象中分析出构成美的因素,将形、色、线条、节奏、虚实等一一抽出来进行深入的分析研究,这也是我们关于抽象美的探索过程。从线描的形式美来说,只有状物传情,渗情达意的线条,才具有无穷的生命力和独特的审美情趣。
In the view of Chinese traditional aesthetics, it is vivid to think that beauty is life, and life is a thing that contains “Tao ”. All forms of performance in art and the portrayal of images come from life, of course, too. At first, art was an imitation of an objective object. However, apart from the description of the like and unlike, the more important is the problem of beauty and not beauty. As a practitioner, what we should do is to analyze the factors that constitute the beauty in the objective image, and draw out the analysis of the shape, color, line, rhythm, actuality and so forth one by one. This is also our exploration of the abstract beauty . From the beauty of line drawing, only the character teaser, the line of affectionate love, have infinite vitality and unique aesthetic taste.