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在20世纪30年代的广播剧创作中,李昌鉴是一个代表作家,具有自觉的广播剧文体意识。他立足于中国20世纪30年代的社会现实和时代情势,较广阔地描写和反映了生活,坚决地反帝反封建,不仅推动了中国现代抗战广播剧的潮流,开创了广播剧文学描写底层的先河,还深刻地揭露了封建家庭的罪恶,显示了很强的爱国主义和人道主义精神,积极地呼应了20世纪30年代的文学潮流。他的广播剧不仅思想意蕴比较丰富,而且戏剧审美特征突出,广播剧文体特征较强,呈现了多样的风格,显示了较高的思想艺术成就和审美价值。
In the creative work of radio dramas in the 1930s, Li Changjian was a representative writer with a conscious sense of radio drama genres. Based on the social reality and the times in China in the 1930s, he described and reflected his life in broad terms and resolutely opposed imperialism and feudalism. He not only promoted the trend of the modern-day anti-Japanese radio drama, but also created the precedent for the radio drama literature to describe the ground floor. It also profoundly exposed the feuds of feudal families, demonstrated strong patriotism and humanitarianism, and echoes the literary trend of the 1930s. His radio drama not only has rich connotation, but also plays an important role in aesthetic features of drama, and has strong stylistic features of radio dramas, showing a variety of styles and displaying a high level of ideological and artistic achievements and aesthetic values.