清末民初,由于西方绘画对中国绘画的冲击,中国画逐渐走入低谷,而岭南画派正是这一时期国人对于中国画革新与论争的产物。因为中国画的“新旧之争”给民国初期的画家带来了新的思考,在这一论争中,岭南画派以“引西润中,融汇古今”的折衷方式来改变中国画的落后状态。 At the end of the Qing Dynasty and the beginning of the Republic of China, due to the impact of western painting on Chinese painting, Chinese painting gradually came to the bottom. The Lingnan painting was the product of the Chinese people’s innovation and controversy over Chinese painting during this period. Because the Chinese painting “dispute between old and new” brought new thinking to the early Republican painters, in this debate, the Lingnan School of Painting to change the traditional Chinese painting Of the backward state.