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当前美术界特别是油画界有古典画风和现代主义画风之争。特别在最近几次有影响的全国性的美术展览会上出现了不少用古典手法创作的作品之后,这一争论更加活跃了。本刊编辑部于2月13日召集了在京的部分美术理论家就这一问题进行了座谈。参加座谈会的同志从各个角度对这一争论发表了自己的意见。会后部分与会者交来了自己的发言要点,现发表如下。希望这一讨论引起美术界的关注,并欢迎来稿发表自己的看法。 参加座谈会的有:沈鹏、水天中、刘曦林、刘骁纯、郎绍君、顾征宇,本刊编辑部的邵大箴、李松、夏硕琦、高名潞、唐庆年。
At present, the art circles, especially the oil painting circles, have contested the classical style and the modern style. This debate is even more dynamic, especially after a number of works created with classical techniques appeared at the most influential national art exhibitions in the recent past. Our editorial department convened some art theorists in Beijing on February 13 to hold discussions on this issue. The comrades participating in the symposium expressed their opinions on this debate from all angles. After the meeting, some of the attendees handed over their key points and made the following announcements. I hope this discussion arouses the attention of the fine arts community and welcomes the contributions to express their views. Participate in the symposium are: Shen Peng, Shui Tianzhong, Liu Xilin, Liu Xiao Chun, Lang Shaojun, Gu Zhengyu, editorial department of Shao Dazhen, Li Song, Xia Shuoqi, Gao Minglu, Tang Qingnian.