一、对白:随处可见的戏剧冲突[书房。一张书桌,两把椅子。桌子上摆放着一盏老式台灯、一摞书、一个杯子和摊开的稿纸。作为编剧的主人公坐在书桌旁,面对观众,正埋头写作。]编剧:(从桌后站起,伸着懒腰并长叹一声)唉,阿里斯托芬的喜剧总是以哀声叹气和牢骚抱怨开头儿。这个传统不能丢啊,唉,我一连写了六部话剧,无人问津!戏剧已经死亡,呜呼哀哉、呜呼哀哉!放开二孩,政策宽松,却胎死腹中,女人之大不幸啊! First, the dialogue: dramatic conflicts can be seen everywhere [study. A desk, two chairs. On the table stood an old-fashioned lamp, a stack of books, a cup, and spreadsheets. As the writer of the hero sitting at the desk, facing the audience, is buried writing. ] Screenwriter: (standing up from behind the desk, stretching and sighing) Alas, Aristophanes’s comedy often starts with a cry of sorrow and grudges. This tradition can not be lost ah, alas, I wrote a series of six novels, nobody cares! Drama has died, woe sad, woe sad! Release two children, loose policies, but stillborn, the woman’s big unfortunate ah!