赶在一场雨前,我再次重游回雁峰。只为了烟雨的痕迹?说不清。总觉得过去每一次下得山来直到出了山门,心里都怅怅的,有一种沉甸甸的阻隔。不管怎样,还得感谢清代那首不知名的诗,感谢写出这首诗的那位不知名的诗人。应该说,是他较通俗地把衡阳的几大景观概括出来了,并作为一种文字化的留存一直传颂到今天。他把“雁峰烟雨”列为衡阳八景之首。雁峰烟雨实堪夸石鼓江山锦绣华花药春溪龙显爪岳屏雪岭鸟喧哗 In a rainy day, I once again return to Yanfeng. Only for the traces of the misty rain? Always feel that every time in the past down Hill until out of the mountains, my heart is a melancholy, there is a heavy barrier. Anyway, thanks to the unknown poem in the Qing Dynasty, thanked the unknown poet who wrote this poem. It should be said that he more generally summed up the several major landscapes of Hengyang and kept it as a kind of written existence till now. He put “Yanfeng Yanyu ” as the first of eight Hengyang. Yanfeng Yankeiguchi Kashiwa stone drums Jiangshanxiuhuahua anther spring Longxiong claw Yue Ping Xueling bird noise