在明末期间,顾绣,作为以上海顾名世一家的刺绣技法和风格为代表的刺绣品,至嘉靖三十八年(1556)顾名世时开始著称。特别是发展到韩希孟一代时顾绣到达了鼎盛,风靡一时,以至一提到明末江南刺绣,就想到顾绣,甚至把这一时期的苏绣也归为顾绣,顾绣成为江南刺绣之通名。然而,被称为“画绣”的顾绣从一开始就注定难以扎根于民间、被广大群众所传扬。 In the late Ming Dynasty, Gu embroidery, embroidered techniques and style represented by the famous architects of the Shang Dynasty in Shanghai, became known until the founding of Jiajing in the 15th year of Jiajing (1556). Especially to the development of Han Xi Meng Gu embroidery reached its peak, all the rage, and even referred to the late Ming Jiangnan embroidery, think of Gu embroidery, and even this period of Suzhou embroidery is also classified as Gu embroidery, Gu embroidery become Jiangnan embroidery pass name. However, Gu Xiu, known as “Painted Embroidery,” was destined to be rooted in folk from the very beginning and proclaimed by the masses.