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在二十世纪三四十年代的上海有苏青与张爱玲齐名的文学现象。与张、苏同时代的谭正璧在《论苏青与张爱玲》一文中称张爱玲和苏青为“最近目前最红的两位女作家”1。很客观地道出了二人在当时文坛上齐名的事实。然而相较于张爱玲的丰富化研究,对苏青的解读,则体现出明显滞后性和简单化倾向。当前的学者多从性别主义或先锋式创作等角度给予一种本质化的理解,而很少从文学的历史现场出发,研究苏青作为特殊的过渡历史时期特殊女性繁复的精神世界和独特的创作风格,并展示出一个过渡期文学常具有的文学特质。本文试图通过返回苏青所处时代的历史现场,寻
In the 1930s and 1940s, there were Literary Phenomena of Jiangsu Su Qing and Zhang Ailing. In the article “On Su Qing and Zhang Ailing”, Tan Zhengbi, a contemporary of Zhang and Su, described Zhang Ailing and Su Qing as “the two most current red women writers”. It is an objective statement of the two men in the literary world at the same time the fact. However, compared with the rich research of Eileen Chang, the interpretation of Su Qing shows obvious lag and simplification tendency. Current scholars mostly give a kind of essential understanding from the angle of genderism or avant-garde creation, and seldom proceed from the historical scene of literature to study the spiritual world and the unique creation of the special females of Su Qing as a special period of transitional history Style, and show a literary trait often have the characteristics of literature. This article attempts to find the historical scene by returning to Su Qing’s era