论文部分内容阅读
在中华文化圈中,有关音乐艺术的主要概念词基本构成了以“乐”为前缀且相互关联的词语链,但唯独被所有音乐人视为旋律核心的所谓的“主题”却与乐无缘。为此,笔者换种视角审视旋律核心,从文化人类学、中国文化丛的视角提出了从旋律中读出“乐眼(主题)”的见解,并从乐眼之源、乐眼之义两个方面作了浅论。
In the Chinese cultural circle, the main concept words related to music art basically constitute the word chain prefixed with “music ”, but only the so-called “theme” which is regarded as the core of melody by all musicians But missed with music. Therefore, from a perspective of cultural anthropology and Chinese culture, the author examines the core of melody from the perspective of cultural anthropology and puts forward the suggestion of reading out “Music Eye (Theme)” from the melody and from the source of music, The two aspects of justice are discussed.