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据笔者统计,唐传奇中以描写女性为主的篇目占60%之多,而且大多直接用女名命名,由此可见,女性形象是唐传奇的一个重点。唐传奇作品中的女性大多敢爱敢恨,虽受到世俗约定和封建礼教的约束,却敢于冲破藩篱,为自己争取感情、人格和人生价值上的平等,如为爱离魂的倩娘、从一而终的任氏、美丽多情的霍小玉、主动争取爱情的莺莺、为家人报仇的谢小娥、智勇双全的红线等,是一批具有独立主体意识的女性。相对于女子对爱情的热烈大胆、执著,男
According to the author’s statistics, the accounts of women in the Tang legend accounted for as much as 60%, and most of them were directly named after the female names. Thus, the image of women is a key point of the legend of the Tang Dynasty. Although most women in Tang legend dare to love and dare to hate, though they are bound by secular conventions and feudal ethics, they dare to break through the barriers and strive for equality in their feelings, personalities and values in life. For example, End of the Ren, beautiful and passionate Huo Xiaoyu, proactive fight for Yingying, revenge for the family Xie Xiaoe, Zhiyong Shuangquan red line, is a group of women with independent subjective consciousness. Relative to the woman’s passion for love, bold, persistent, male