笔触,她(石至莹)更愿意称之为书法式的笔墨,是在看似静态的画面里构建起动态过程的基本元素。在她对物象的外观意义不断进行删减的过程中,笔墨得以放大出来,成为了近乎主体的东西,并且,在相互作用之中呈现为一场柔和、繁复的巴洛克运动,一种东方式的褶子的展开。关于褶子这种说法,不妨借用德勒兹意义上的引申,因为他恰好是从莱布 Brushwork, which she prefers to call calligraphy, is the basic element in building a dynamic process in a seemingly static picture. In her continuous reduction of the appearance and meaning of objects, the ink and ink is magnified and becomes an almost subjective object. In the process of interaction, she appears as a soft and complicated Baroque movement, an eastern style Folding the expansion. On the pleats of this argument, may wish to borrow Derricks sense extension, because he happens to be from Leb