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如果说改革开放十余年来我国严肃音乐的创作水平通过各种国际国内的比赛与演出在室内乐及交响音乐等高层领域得到了突飞猛进的增长,那么
If the level of creation of serious music in our country over the past decade or more has reached a rapid growth through various international and domestic competitions and performances in such high-level areas as chamber music and symphony music, then