现代,连古代制壶人,都是学壶制壶,一脉相承,应该说紫器造型极其丰富。“夏云多变幻,层层出不穷……偶看千般巧,常窥万象同。”(黄志良教授写的《夏日观云》)。 陶瓷的造型设计,都是和作者的文化素养,气质阅历,连在一起的。有东坡的才华、学养、豪情,才会有他的“大江东去,浪淘尽,千古风流人物。”这样气慨恢宏的文字。有东坡的一生坎坷,才会有他的“人有悲欢离合,月有阴晴圆缺,此事古难全。”的豁达。而“今霄酒醒何处?杨柳岸,晓风残月。”却表达着柳永的寂寞孤凄。人有个性,诗文书画有个性,而 Modern, even the ancient system pot maker, are pot pot, the same strain, it should be said that the extremely rich shape of violet. “Xia Yun changeable, endless layers of ... ... even see a thousand clever, often glimpse the same.” (Professor Huang Zhiliang “summer concept cloud”). Ceramic shape design, and the author’s cultural accomplishment, temperament experience, together. Dongpo’s talent, schooling, pride, will have his “Dajiang East to go, wash through the waves, the eternal golden character.” Such a generous and generous words. There Dongfeng life frustrations, will have his “people have joys and sorrows, the moon has a clear round, the matter is ancient and difficult.” Open-minded. And “Where is this wine wake? Willow shore, Xiaofeng moon.” But expressed the loneliness of Yong alone. Personality, poetry and calligraphy have personality, and