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关于流派和风格我认为应多谈风格,少谈流派。因为我国的盆景几大流派的形成有其特定的历史原因和地域原因,即便是在他们发展的历史过程中曾起过积极的作用,但一些流派对现代盆景艺术发展的阻碍作用也是显而易见的。而且流派本身也在变。它要么随时代发展而变革,要么因固步自封而消亡,以至各流派在发展变革中相互接近,最终趋向统一。
On the genre and style I think we should talk more about style, less talk about genres. Because the formation of several major genres of bonsai in our country has its own specific historical and geographical reasons, even though it played an active role in the history of their development, the obstruction effect of some genres on the development of modern bonsai art is also obvious. And the genre itself is changing. It either evolves with the development of the times or dies out of self-restraint. As a result, the schools are close to each other in the course of development and change and finally tend to unify.