李泽厚在《美的历程》中指出,并非情感的任何抒发表现都能成为艺术,主观情绪必须客观化,必须与特定的想象、理解相结合统一才能构成具有一定普遍必然性的艺术作品。中国魏晋时期是人的觉醒、艺术的自觉时代,出现了钟嵘的《诗品》、谢赫的《画品》、卫夫人的笔阵图等一系列艺术上专门的美学理论,形成了一种审美的习惯,自觉地评定了艺术的优劣等级。谢赫六法是中国古代品评艺术作品的标准和重要美学原则。“六法”最早出现在南齐谢赫的著作《画品》中,六法 Li Zehou pointed out in “The Course of Beauty” that not any expression of emotion can become art, the subjective emotion must be objectified, and must be combined with specific imagination and understanding to form a work of art with certain general inevitability. The Wei and Jin Dynasties in China were the awakening of man and the conscious era of art. A series of art-specific aesthetics theories emerged from Zhong Rong’s “Poems,” “Shek Pao” and “Mrs. Wei” A kind of esthetic habit, consciously appraised the grade of art. Sheikh VI is the standard and important aesthetic principle of ancient Chinese art works. “Six Act ” first appeared in the book “paintings” of Nancy Sheikh, six