论文部分内容阅读
为了方便大家对门德尔松的“无词歌”的进一步认知,我想将继上期介绍的内容,就其中4首“无词歌”的主要作品特征及我在学习演奏过程中的一些体会的归纳如下。
In order to facilitate everyone’s further understanding of Mendelssohn’s songless song, I would like to follow up on the contents of the previous issue, and on the four main “no-song” features and some of my experiences in learning and playing Summarized as follows.