【摘 要】
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All tragedies can be divided into two categories: those can have comedic potentials and those cannot. The former are based on external conflicts, having a gesta
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All tragedies can be divided into two categories: those can have comedic potentials and those cannot. The former are based on external conflicts, having a gestalt structure from sadness to happiness, and its aesthetic effects are built on sympathy (pain) and vicariousness (pleasure). Such tragedies are found both in China and the West; while the latter are based on internal conflicts, having a gestalt structure from happiness to sadness, and its aesthetic effects are built on isostructural psyche (pain) and cathartic psyche (pleaure). Such tragedies are rare in China but quite common in the West.
The former are based on external conflicts, having a gestalt structure from sadness to happiness, and its aesthetic effects are built on sympathy (pain) and vicariousness (pleasure Such tragedies are found both in China and the West; while the latter are based on internal conflicts, having a gestalt structure from happiness to sadness, and its aesthetic effects are built on isostructural psyche (pain) and cathartic psyche (pleaure). Such tragedies are rare in China but quite common in the West.
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