一件成功的根艺作品的各部分,应该有机地统一起来,不能只看某一部分极象某种神态,而另一部分又是另一种神态。以《伏牛奋起》为例。有人极为赞赏这件作品,说牛的头脸如何,鼻孔又如何,前腿如何,后腿又如何(图、文见本刊1993年第2期——编者)。但这些具体极似的部分一经组合成一个《伏牛奋起》,就不是那么回事了。从牛的前半身来看,这分明是一头奔牛或做势欲往前冲的牛。而从其后腿来看,一条后腿踏 The parts of a successful root art work should be organically unified, not just looking at some part of a demeanor, but at the other part of it. Taking “Aura rising” as an example. Some people are extremely appreciative of this work, saying that the cow’s head and face, how the nostrils, how the front legs, hind legs and how (Figure, see article published in 1993 No. 2 - editor). However, these specific and very similar parts once combined into a “barrage up” is not the case. From the front of the cow’s view, this is clearly a runner or a potential bullish cow. From its hind legs, a hind legs riding