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以中国现代新诗的绘画美——构图美为研究对象,并不是偶然的。关注构图和关注情感表达之间,形式主义和人本主义之间——会向艺术家、诗人提出一些问题:你的主要责任是艺术还是社会?没有内容的形式切实吗?不考虑形式的内容能成为艺术吗?中国现代诗人、艺术家的的许多作品混合了两种方式——在冷漠的形象元素的构图中可能包含着潜在的信息,而在开放的、具有表现力的作品中,也许是它优秀的构图使它具有表现力。无论是在客观还是主观的水平上,绘画是从有意识的或直观的大脑运动过程中演变而来的。然而,这两种推动力在一幅作品或在一个创作个体中是很少平等的。
It is no accident that the beauty of the painting of Chinese modern new poetry - the compositional beauty is the object of study. Focus on the composition and the focus on emotional expression, between formalism and humanism - to the artist, poet asked some questions: Is your primary responsibility is art or society? Is there no form of content is true? Become art? Many works by modern Chinese poets and artists are a mixture of two approaches - potential information may be contained in the composition of indifferent image elements, and perhaps in open, expressive works it may be Excellent composition makes it expressive. Whether it’s objective or subjective, painting evolves from conscious or intuitive brain movements. However, these two drivers are rarely equal in one work or in one individual.