一、过往在论及宫廷花鸟画的时候,大多都以宫廷工笔花鸟画作为样本,而较少注重宫廷花鸟画中的写意作品。宫廷花鸟画尤其注重对事物的仔细观察,刻画细致,色彩也多是华丽眩目。花之四时景候阴阳向背,笋条枝干的自然情状、鸟兽的体貌解剖毛骨及动止性情,宫廷画家多能细致观察,了然在胸,以达到能精确地塑造出对象真实的一面。如著名的“孔雀升高,必先举左”等典故,就能让我们深深地体会到他们细密的心思。以《出水芙蓉》、《虞美人》、《桃鸠图》等一系列宋代的宫廷画中,我们更能感受到作者那既真实细致地反映了对象的整体风貌,又体现出勾勒设色 First, in the past, when it comes to court paintings of flowers and birds, most of them take the courtesan calligraphy and painting as a sample, while they pay less attention to the freehand works in court and flower paintings. Court flowers and birds pay special attention to things carefully observed, portrayed in detail, the color is more ornate dazzling. When the flower of the four landscape yin and yang to the back, bamboo shoots of the natural situation, the anatomy of birds and animals of the anatomy of the bones and the nature of action, the court painter can be more careful observation, in the chest, in order to accurately create the true object The side. Such as the famous “Peacock rise, we must first lift the left ” and other allusions, we can deeply understand their meticulous mind. In a series of court paintings in the Song Dynasty, such as “Lotus of Water,” “Lady Poppy,” and “Tao Jiu Tu”, we can even feel that the author has reflected the overall style of the subject in a real and meticulous manner,