8年前,我邀焦小健为我写文,他用一句“在往来复去中穿行”来描述我的状态,说我活在“此地”和“他方”之间,是一个浑身充满“悖论”和“矛盾”的人。2004年,我刚刚回国,在异国的10年受其文化的熏染,画里本该展现一些在形式和内容上让人耳目一新的东西,而我的画,除了在装置性的布展方式和片段式的绘画形式之外,几乎是些毫不起眼的杂乱的视觉记录。这些画是正在发生时的、纪实性的东西,却总带有追忆的、怀旧的情绪。直到今天,我在继续这些小画的时候,还在延续着这样一种感觉和状态,只是它已经变为 Eight years ago, I invited Jiao Xiaojian to write for me. He used the phrase “walk through the contacts” to describe my status, saying that I live between “this place” and “other party” A person who is full of “paradox” and “contradiction”. In 2004, when I just returned to China and was influenced by its culture for 10 years in an exotic country, I should have shown something refreshing in form and content in my paintings. Apart from the systematic installation and fragmentation Outside the form of painting, almost humble visual records. These paintings are ongoing, documentary things, but always with reminiscences, nostalgic emotions. Until today, when I continued these little paintings, I still continued with such a feeling and state, but it has become