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唐开成年间进士科试诗依“齐梁体格”是唐代应试诗史上比较引人关注的诗体改革,文宗此举有改变盛唐以来科试多“以声病为是非”、“唯择浮艳”之弊的良苦用心,是其一系列文化建设、文学复古过程中的重要一环。而文宗于此时选取“齐梁体格”进行科场诗体革新,不仅是其崇雅好古文化观、诗学观的履践,也与牛李二党文化观、文学观之矛盾对立有关。此次试诗变体,是在开成初李党魁首郑覃被重用、牛党处于下风的特殊政治环境中得以进行的,也是李党鄙薄声律浮艳之气、崇尚质实古雅之风诗学观的现实反映。虽然此次诗体改革饶有声势,但因其中夹杂着鲜明的党争色彩,故未能持续下去,对当时整个诗坛的影响较为有限。
In the Tang Dynasty, the examination of poetry by the Jinshi subjects was based on “Qiliang physique”. The poetic reform that attracted more attention in the history of Tang Dynasty examines the prose poetry. “The only choice of floating Yan ” The conscience of the conscience, is a series of cultural construction, an important part of the process of literature retro. At the moment, Wenzong chose “Qiliang body ” to carry on the reformation of the poetic style in the academic subjects, not only the practice of its elegant, ancient culture and poetics, but also the contradiction between Niu and Li’s views on the two cultures related. This test poem is a variant of the test that was carried out in the early days when the leader of the party, Li Dangkui, was reused, and the cow was in a disadvantageous special political environment. Reflections on the Poetics. Although the poetic style reform has a lot of momentum, but because of the mixed party with a distinctive color of the party struggle, it failed to continue, the impact on the entire poetry was more limited.