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本文认为 ,先锋小说在人性描写上具有明显的虚拟化倾向 :无论是对性爱欲望的表现 ,还是对人性恶的摹写 ,均与传统小说借助情节和人物展示相对完整的人性不同 ,而是将人性构成中的某些方面抽离出来进行审视和表现。这种表现 ,已不再是对现实人性的模写 ,而是观念领域的产物 ,具有明显的主观性色彩。这一倾向的形成 ,既与先锋作家的人生经历、个性气质相关联 ,又与他们所处时代和文化环境的移变有着密切的联系
This paper argues that avant-garde novels have obvious tendency of virtualization on the description of human nature: both the performance of sexual desire and the description of evil of human nature are different from the traditional integrity of human nature Some aspects of the composition are pulled out for review and performance. This kind of performance is no longer a model writing of realistic human nature, but a product of the concept field with obvious subjective colors. The formation of this tendency is not only linked with the life experience and personality of avant-garde writers, but also closely linked with the changing times and cultural environment in which they live