在当下,“纯诗”的话题越来越少被人提及,但“纯诗”作为一种诗歌品质,也作为一种镜像,我觉得仍有探讨的必要。曾有诗评家发问:“中国百年新诗史上是否真正存在过一个阶段是完全的‘纯诗’和‘新批评’意义上的时代?”并随即给(1)出了否定的回答。的确,“纯诗”作为一个被移植的西方诗学概念,在中国屡次遭遇了“水土不 At present, there are fewer and fewer ”pure poems“ topics to be mentioned, but ”pure poems “ as a poetic quality, but also as a mirror, I think there is still a need for discussion. There was a poet’s critic who asked: ”Is there a real stage in the history of Chinese new poetry that is completely ’pure poetry’ and ’era of new criticism’ ?, and then gave a negative answer to (1). Indeed, “pure poems ” as a transplanted concept of Western poetics, repeatedly encountered in China "soil and water