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《秦腔》坚持了从特定时期中国西部农村的实际现实生活出发,坚持了真实性第一的现实主义原则;它不对客观现实生活进行理想化,坚持按照实际生活的本来面貌塑造人物,描写生活;与《创业史》、《平凡的世界》相比,《秦腔》回到了恩格斯的现实主义文学观。
“Shaanxi Province” insisted on proceeding from the actual real life in the rural areas of western China during a specific period and upheld the principle of realism first; it did not idealize the objective and realistic life and insisted on portraying figures and depicting life according to the true face of real life. Compared with “business history” and “ordinary world”, “Shaanxi Opera” returned to Engels’ view of realism literature.