中国工笔人物画在近一个多世纪的发展中,始终处在一个传统文化和西方文化碰撞的语境当中,尤其是在当代,多元文化并行发展,怎样面对这种两端性是工笔人物画创作首先要解决的问题。本文主要针对工笔人物画创作中的两端性展开整理与讨论,体现两端性在工笔人物画创作中的意义。 In the development of the past more than a century, the Chinese figure painting has always been in the context of a collision between traditional culture and western culture, especially in contemporary and multicultural development. How to deal with this kind of metatarsal painting Creation first to solve the problem. This article mainly focuses on the two ends in the creation of the fine brushwork figure painting and discusses the meaning of the two ends in the creation of the brushwork figure painting.