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中国内资画廊随着改革开放的浪潮应运而生,在经历了探索初期的迷茫、经济危机的冲击之后步入新常态的发展阶段,并逐步走向规范化、制度化,但同时也存在诸多问题,这其中有画廊自身内部的原因,也有制度法律等外部因素的制约。本文通过对北京地区内资画廊的经营品类、从业者、经营方式、与艺术家的合作等方面进行探究,以期多角度、多维度的分析北京地区内资画廊的生存状态。
Chinese domestic art galleries came into being with the wave of reform and opening up. They went into the development stage of the new normal after experiencing the confusion and the economic crisis at the initial stage of exploration, and gradually became standardized and institutionalized. However, there were also many problems at the same time There are internal causes of the gallery itself, but also the system of laws and other external constraints. This article explores the management categories, practitioners, mode of operation and cooperation with artists in domestic-funded galleries in Beijing in order to analyze the living conditions of domestic galleries in Beijing from multiple perspectives and multi-dimensions.