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1920年代,巴黎的艺术中心由原来的Montmartre转移到Montparnasse,艺术家们亦由过往的波希米亚(Bohemia)变成了布尔乔亚(Bourgeois),那里住着不再穷困的毕加索和他的新任太太Olga、画家Juan Gris和Modigliani,以及法国才子Jean Cocteau一行人。而活跃于这艺术圈子中的,还有Gabrielle Chanel:她第一次参与剧场创作,便是替Cocteau的作品主理戏服和化妆,其后找她合作的,又包括了把伟大的芭蕾舞家尼金斯基介绍给巴黎人的俄裔舞蹈界钜子Diaghilev、作风新锐的俄罗斯作曲家Stravinsky,以及《大幻影》和《游戏规则》的法国导演Renior等等。而Cocteau表示,“I order costumes from Chanel because she is the greatest couturi(?)re of our time.”他和她,终身都是好发,彼此间亦在创作上互相砥砺,印证了一个时代的创意足迹。
In the 1920s, the art center in Paris was transferred from Montmartre to Montparnasse, and the artists from the past Bohemia to Bourgeois, where Pablo Picasso and his new wife Olga Painters Juan Gris and Modigliani, and Jean Cocteau, a French artist. And active in this art circle, and Gabrielle Chanel: the first time she participated in the theater creation, is the costume for Cocteau’s work and makeup, and later to find her cooperation, but also includes the great ballet home Niginski introduced to the Parisian Diawilev, the Russian-speaking dancer, Stravinsky, a stylish new Russian composer, and Renior, the French director of “The Big Phantom” and the “Rules of the Game.” And Cocteau said, “I order costumes from Chanel because she is the greatest couturi (?) Re of our time. ” He and her, lifelong are good hair, each also in the creation of each other temper, confirms an era Creative footprint.