文坛上似乎有这样一种现象,曾经的学者、诗人,或是文学家,当然也擅书法,甚至还具有相当的造诣,到了晚岁则不再从事于诗文领域的创作,而将重心逐渐转移至濡毫染翰、书学传播的一路,乃至人们渐渐忘却了他原先的身份标识,以为他就是一位纯粹的书家。此类的代表人物中最最有名的,大概要算沈尹默先生了。后来者,譬如沈尹默于重庆时的弟子,著名的文字语言学家、九三学社早期社员、武进蒋维崧,庶几也可算之。 There seems to be a phenomenon in the literary arena. Former scholars, poets, or writers, of course, are good at calligraphy and even have considerable attainments. In their late years, they no longer engage in the creation of poetry but gradually shift their focus gradually Transfer to Ru Mo Lian Han, the book spread all the way, and even people gradually forget his original identity, that he is a pure book. Such representatives of the most famous, probably to count Shen Yinmo. Latecomers, such as Shen Yinmo’s disciple in Chongqing, the famous linguist, the early members of the Jiusan Society, and Wu Weijiang, also known as Shu Wei.