《回望家园》是一幅表现抗洪抢险的主题性绘画。3个刚刚从抗洪一线换班下来的战士肃穆地立在大堤上,凝视着被洪水围困的家园,疲惫而复杂的眼神里透着刚毅和不屈。在场景的选取上,作者摒弃了战士与洪峰直接对抗的激烈动荡的场面和富有戏剧性冲突的情节,而用静态的、近似纪念碑般的肖像形式来处理画面。为了强化画面的分量感,作者采用团块堆砌、组合、对比来结构画面,并把雕塑和版画的技法融入创作当中。团块犹如一块块泥巴,塑造着一个个浑圆有力的肢体;笔墨的皴擦多于渲染,层层叠加;形象通过墨色的挤压来呈现,人物轮廓犹如刻刀划出的细线,强劲有力。画作表现形式和内容的和谐对应,在视觉上产生了一种因“塑造”而获得的浑厚感,体现了抗洪勇士们平凡而高尚的精神境界,使画面具有深厚的内蕴和外在的张力,产生了催人奋进的艺术感染力。 “Looking Back to Homeland” is a themed painting that shows resistance to floods and rescue. Three war-crippling soldiers who had just reshuffled from the flood-fighting front stood solemnly on the embankment, gazing at the homesteads surrounded by the floods, showing resolute and unyielding in their tired and complex eyes. In the selection of the scene, the author abandons the violent turbulent scene and the drama with dramatic conflict directly confronted by the soldiers, and treats the picture in the form of static and approximate monumental portraits. In order to enhance the sense of weight of the picture, the author adopts the method of grouping, combining and contrasting to form the picture, and integrating the techniques of sculpture and printmaking into the creation. The mass is like a block of mud, which shapes one round and powerful body. The rubbing of ink and brush is more than the rendering. The image is rendered by the squeezing of the ink color. The outline of the character is like a thin line drawn by a knife, strong and forceful . The harmonious correspondence between the forms and contents of the paintings creates a sense of depth which is obtained from the “molding” of the visual, which reflects the ordinary and noble spiritual realm of the flood warriors, so that the painting has deep intrinsic and extrinsic Tension, has created a inspiring artistic appeal.