无数的旅行者在旅行杂志中告诉我们,大家往往并不是被那些新奇的、奇异的和奇怪的景象所感动,而是被那些经久的、熟悉的和可预期的景象所打动。在这种情况下,通过旅行中的预期(一种通过他人对某地的阐释所形成的怀乡情节)来结构旅行经验,就成为旅行的必须和难以避免的过程。在游记《诗意的栖居》中,海德格尔回忆了他于1962年的春天第一次访问希腊的经历,当时,他和自己的妻子艾尔弗莱德(Elfride)一起,游览了希腊的岛屿和雅典。他对上述地点的观察是以复杂的哲学话语为中介的,他指出,他的旅行更像是一次回乡的过程。表面上看,海德格尔拜访了希腊,而同样的,希腊也在情感和智识上拜访了他。 Countless travelers tell us in travel magazines that people are often not touched by strange, exotic and weird scenes, but are impressed by long-lasting, familiar and predictable scenes. In this case, the experience of traveling in the structure (an nostalgia plot formed through the interpretation of a place by others) to structure the travel experience becomes a necessary and unavoidable process of traveling. In his travel poetic dwelling, Heidegger recalls his first visit to Greece in the spring of 1962, when he and his wife, Elfride, visited Greece Island and Athens. His observation of these locations was mediated by complex philosophical discourses, and he pointed out that his travel was more of a process of returning home. On the surface, Heidegger toured Greece, and similarly, Greece visited him with emotion and intelligence.