论文部分内容阅读
油画风景写生是大学本科学习课程中的一门必不可少的课程。风景写生是培养我们对大自然色彩的感知能力和对画面的组织能力,也是对我们绘画能力的整体锻炼和考验,以及主观的控制画面能力的锻炼和考验。本文着意从风景写生与绘画创作的关系,从写生的取景构图、色彩与线条,以及风景写生的地域性等方面展开论述。本文主要从三个方面阐述油画写生的所思所感,第一部分简要地阐述了风景写生的意义以及写生与艺术创作的血脉联系。第二部分是关于写生过程中对于画面的一些所感所思,从取景、构图、颜色、线条四个方面进行了阐述。第三部分是关于风景写生的地域性和时代性的一些感想,从横向和纵向分析了艺术形象。地域性也是影响艺术创作和艺术发展的客观性因素,还从纵向的简单说明艺术形象的时代性。
Oil painting landscape painting is an essential course in college undergraduate course. Landscape painting is to cultivate our perception of the natural colors and organizational ability of the screen, but also our ability to paint the overall exercise and test, as well as subjective ability to control the screen exercise and test. This article is intended to discuss the relationship between landscape painting and painting creation from the aspects of sketch composition, colors and lines of sketch, as well as the regionality of landscape sketch. This article mainly elaborates the feeling of painting sketching from three aspects. The first part briefly expounds the meaning of landscape sketching as well as the blood contact between sketching and artistic creation. The second part is about the feeling of the picture in the sketch-making process from four aspects of viewfinder, composition, color and line. The third part is about the landscape of the landscape and the era of some of the feelings, from the horizontal and vertical analysis of the artistic image. Territoriality is also an objectival factor that affects the artistic creation and artistic development. It also illustrates the epoch of the artistic image longitudinally.