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传统、现代主义和当代文化的夹缝“在香港,运用垃圾和废物做作品是很大胆的做法。他希望震慑观众,使香港人改变他们的保守艺术态度。”Petra Hinterhur在她的1985年版《香港现代艺术》一书中,道出了她对蛙王的生活和艺术态度这样的典型(若非定型)印象。无可否认,那是蛙王的艺术策略和生活态度,但他在当代艺术的探索却被忽略了。二十五年后的今天,同样
Tradition, Modernism and Contemporary Cultures “In Hong Kong, it is a daring exercise to use rubbish and waste to create works, and he hopes to deter spectators and enable Hong Kong people to change their conservative artistic attitude.” “Petra Hinterhur, in her 1985 edition In ”Modern Art in Hong Kong," one finds her typical (unfixed) impression of life and artistic attitude toward the frog king. Admittedly, it is the art strategy and attitude of the frog king, but his exploration of contemporary art has been neglected. Twenty-five years later, the same