“一剧之本”最先由黄佐临从戏剧观的角度使用,后来成为强调戏剧诸因素中剧本重要性的“戏谚”。中外戏剧史上都存在一个从“一剧之本”向“表演中心”的演进过程。就中国而言,金元杂剧是“一剧之本”的时期,演员依附于剧本;明末清初,演出技巧的高度发展使“一剧之本”向“表演中心”逆转;随着“花部”的兴起,戏曲“以表演为中心”的命题得以确立。中外戏剧史上的这种演进并非直线进行,宋元南戏就较多地注重表演,而经典剧本迄今依然常常支配着演出。在戏剧艺术中,作家作品与表、导演何者更优秀、更强势,何者就可以在演出中起主导作用。 “A play of this ” was first used by Huang Zuolin from the perspective of theatrical viewpoints, and later became the “play proverb” which emphasized the significance of scripts in theatrical. In the history of Chinese and foreign drama, there is an evolutionary process from the center of performance of a drama. In the case of China, the Jin and Yuan Dynasty drama is the period of “drama” and the actor is attached to the script. In the late Ming and early Qing dynasties, the high level of performance skills made “the origin of the drama” “With the rise of ” Flower Department “, the proposition of drama ” acting as the center "was established. This evolution in the history of Chinese and foreign drama is not straightforward. The Southern Song and Yuan Dynasties paid more attention to performance, and the classic plays still dominate the performances so far. In drama art, writers’ works, watches and directors are better and more powerful, and who can play a leading role in the performance.