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大多影迷都知道,伍迪·艾伦的创作倾向于正剧和喜剧交替进行,但他很少把这两种艺术形式搅在一起。他一辈子被观众看做笑星,所以他每次尝试变换口味——比如阴暗的《赛末点》,观众都以为是他在玩转型,其实像《罪与错》(1989)还有更早以前的《我心深处》(1978),故事主题都很晦暗。然而新作《蓝色茉莉》(Blue Jasmine)更进一步,伍迪·艾伦把悲喜两种情感融合,成就了不同以往的故事讲述方式。
Most fans know that Woody Allen’s writing tends to alternate between positive drama and comedy, but he seldom mixes these two forms of art. He was a spectator for all his life as a comedian, so every time he tried to change his taste - such as the dark “end of game”, the audience thought he was playing transition, in fact, like “sin and error” (1989) and earlier The previous “My Heart” (1978), the story is very dull theme. However, the new work “Blue Jasmine” went one step further. Woody Allen fused the two emotions, sadness and delusion, and achieved different storytelling styles.