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本文旨在对法国著名的超现实主义戏剧大师让·科克托和他的里程碑式的戏剧杰作《奥尔菲》做较为深入系统的全面评述。认为“剧作对古希腊神话的创造性改写”，“剧作立体性主题的完满铸就”，“剧作彻底的象征化”及其对自动写作式的“绝妙的僵尸”手法的成功运用，不仅集中体现了超现实主义戏剧独特的艺术质地，而且也较为充分地体现了让·科克托对现代西方戏剧的特殊贡献。
The purpose of this article is to give a systematic and comprehensive review of Jean Cotto, the famous French master of surrealism, and his masterpiece, Orpheus, a dramatic masterpiece. It is considered that “the creative rewriting of ancient Greek myths by dramas”, “the perfect casting of three-dimensional themes of dramas”, “the complete symbolization of dramas” and their successful application of the automatic “zombie” Embodies the unique artistic texture of surrealism drama, but also more fully reflects Jean Cotto’s special contribution to modern western drama.